Identify Books Supposing Niebla
Original Title: | Niebla |
ISBN: | 8423919153 (ISBN13: 9788423919154) |
Edition Language: | Spanish |

Miguel de Unamuno
Paperback | Pages: 259 pages Rating: 4.05 | 10897 Users | 630 Reviews
Declare Epithetical Books Niebla
Title | : | Niebla |
Author | : | Miguel de Unamuno |
Book Format | : | Paperback |
Book Edition | : | Colección Austral |
Pages | : | Pages: 259 pages |
Published | : | January 1st 1990 by Elliot's Books (first published 1914) |
Categories | : | Fiction. European Literature. Spanish Literature. Classics. Cultural. Spain |
Interpretation Toward Books Niebla
Esta obra de Miguel de Unamuno es uno de los ejemplos clásicos más eminentes de la novela moderna. La ficción deja aquí de ser un puro vehículo narrativo, transmisor de historias, para convertirse en un universo textual de fecundas sugerencias. El título, Niebla, expresa con claridad el propósito novelesco de desdibujar lo visible y materializar, en cambio, lo impalpable. En este ambiente vemos moverse a un hombre esencialmente frustrado, Augusto Pérez, sobre cuya muerte nos vemos obligados a pronunciarnos. Germán Gullón, reconocido como uno de los primeros especialistas en novela contemporánea, facilita en esta edición una pauta de lectura que conduce a una riqueza de comprensión insospechada de la novela en sí y de cuanto supone, como cima, en el proceso de la narrativa española.Rating Epithetical Books Niebla
Ratings: 4.05 From 10897 Users | 630 ReviewsJudgment Epithetical Books Niebla
"No es acaso la liturgia de todas las religiones un modo de brezar el sueño de Dios y que no despierte y deje de soñarnos?""Is not the whole liturgy, of all religions, only a way perhaps of soothing God in His dreams, so that He shall not wake and cease to dream us?"Mind-boggling concept, and yet it manages to still seem desolately average -it's a miracle.It may just be that in this period words seem to not want to come at me -they almost seem to refuse to be summoned, or maybe they want me meAt first, you think you are reading the story of a young man and his discovery of women, but when you are getting kind of bored with this overwhelmed protagonist you discover it's all an excuse of the author to build this experimental "nivola" (he doesn't name it novel as he jokes with inventing a new genre with his own rules).As this man goes crazy for Eugenia, he will see himself "reborn" in terms of discovering the nature and charm of women as much as the joy and sorrow of "love". The hole
Finally i had a chance to read something that was easy and readable at the same time. Sometimes they put so much stuff to one story that i cant find any storyline and i'm basically lost. But in this case it didn't happen. It was creative the ending was best for me and i actually enjoyed the main character. But sometimes it bores me that every single book i read in spanish is always about relationship and i think i need a little bit of a change.

This is a really important piece of literature from the generation of 98 (that's 1898) in Spain. It is the original self conscious character (after Don Quixote of course) which means, a character who knows that he is a character - it rips open the fabric in the reader/ author relationship - questions reality (Unamuno was an existentialist type) plus it's just kind of charming and funny and sticks with you and gives you lots to think about in terms of literature. Once you've read it, a lot of
A philosophical novel, recently republished, with a sufficient dose of the fun factor to make it a pleasure for me. Unamuno was a leftist novelist, playwright, and essayist who served as a professor of Greek and Classics at the University of Salamanca. Written in 1907 and published in 1914, Niebla (translated as mist or fog) purports through one of its characters to represent a new form of fiction, called the nivola, which is concerned more with the personification of ideas than realism. It
In his introduction to this English edition of Miguel de Unamunos Niebla (Mist or, as in Elena Barcias new translation Fog), Alberto Manguel makes a bold claim for the novel. Critics, he tells us, have almost unanimously placed it amongst the great Modernist texts, next to Virginia Woolfs The Waves and Pirandellos Sei personaggi in cerca d'autore. Except that Unamunos novel precedes them both, having been published in 1914 and commenced years before. Now I have a confession to make. Although a
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