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Regarding the Pain of Others

Susan Sontag

Paperback | Pages: 117 pages

Rating: 4.04 | 10517 Users | 693 Reviews

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Original Title:	Regarding the Pain of Others
ISBN:	0141012374 (ISBN13: 9780141012377)
Edition Language:	English
Literary Awards:	National Book Critics Circle Award Nominee for Criticism (2003), Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form (2004)

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Twenty-five years after her classic On Photography, Susan Sontag returns to the subject of visual representations of war and violence in our culture today. How does the spectacle of the sufferings of others (via television or newspapers) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001. In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time. Features an analysis of our numbed response to images of horror. This title alters our thinking about the uses and meanings of images, and about the nature of war, the limits of sympathy, and the obligations of conscience.

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Title	:	Regarding the Pain of Others
Author	:	Susan Sontag
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 117 pages
Published	:	August 26th 2004 by Penguin (first published January 7th 2003)
Categories	:	Nonfiction. Philosophy. Writing. Essays. Art. Photography. History

Rating Of Books Regarding the Pain of Others

Ratings: 4.04 From 10517 Users | 693 Reviews

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Sontag opens here with a critique of Virginia Woolf's comments on photographs from war in Three Guineas. While Woolf begins by making a feminist distinction between her perspective from that of a real or imagined male lawyer, she enters a 'we' with him in the face of the photographs; photographs of the victims of war, Sontag writes 'create the illusion of consensus'. Sontag's aim here is to (re)problematise the 'we' Woolf accepts, as well as to restore what is lost in the limited reading she

"To photograph is to frame, and to frame is to exclude". A splendid analysis of suffering and pain as depicted by photography within our 'society of spectacle', written with Sontag's usual lucidity, and just as eye-opening as On Photography, published thirty years prior.

Ive always thought that one of the things it would be fairly reasonable to have written on my headstone would be, He often missed the obvious. I was saying to people at work the other day that there was a part of this book where I thought, god, how did I get to be 50 and never think of this before? It was the bit where she talks about the holocaust and holocaust museums and then questions why America doesnt have a museum to the victims of slavery you know, those victims are still walking about

Ive always thought that one of the things it would be fairly reasonable to have written on my headstone would be, He often missed the obvious. I was saying to people at work the other day that there was a part of this book where I thought, god, how did I get to be 50 and never think of this before? It was the bit where she talks about the holocaust and holocaust museums and then questions why America doesnt have a museum to the victims of slavery you know, those victims are still walking about

An examination of images of war and how those that view these images react to them. Concise, Sontag writes of the history of war photography and earlier depictions of war through paintings, and the purpose of these images, for the victims of war, the perpetrators, as well as those that view them.The understanding of war among people who have not experienced war is now chiefly a product of the impact of these imagesA fact that many can confirm. Although I did experience war myself at some point

No 'we' should be taken for granted when the subject is looking at other people's pain,

In fact, there are many uses of the innumerable opportunities a modern life supplies for regarding - at a distance, through the medium of photography - other people's pain. Photographs of an atrocity may give rise to opposing responses. A call for peace. A cry for revenge. Or simply the bemused awareness, continually restocked by photographic information, that terrible things happen. (13)In Regarding the Pain of Others, Sontag considers the subject of atrocity photography; of photographs that